Pop Art

Pop Art was the art of popular culture. It was the visual art movement that characterised a sense of optimism during the post war consumer boom of the 1950’s and 1960’s. It coincided with the globalisation of pop music and youth culture, personified by Elvis and the Beatles. Pop Art was brash, young and fun and hostile to the artistic establishment. It included different styles of painting and sculpture from various countries, but what they all had in common was an interest in mass-media, mass-production and mass-culture.

Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them. And due to its utilisation of found objects and images it is similar to Dada. Pop art is aimed to employ images of popular as opposed to elitist culture in art, emphasising the banal or kitschy elements of any given culture, most often through the use of irony. It is also associated with the artists’ use of mechanical means of reproduction or rendering techniques.

British artists in the 1950’s, who grew up with the wartime austerity of ration books and utility design, viewed the seductive imagery of American popular culture and its consumerist lifestyle with a romantic sense of irony and a little bit of envy. They saw America as being the land of the free – free from the crippling conventions of a class ridden establishment that could suffocate the culture they envisaged: a more inclusive, youthful culture that embraced the social influence of mass media and mass production. Pop Art became their mode of expression in this search for change and its language was adapted from Dada collages and assemblages. The Dadaists had created irrational combinations of random images to provoke a reaction from the establishment of their day.

Pop art in America evolved in a slightly differently way to its British counterpart. American Pop Art was both a development of and a reaction against Abstract Expressionist painting. Abstract Expressionism was the first American art movement to achieve global acclaim but, by the mid-1950’s, many felt it had become too introspective and elitist. American Pop Art evolved as an attempt to reverse this trend by reintroducing the image as a structural device in painting, to pull art back from the obscurity of abstraction into the real world again. Although Pop Art began in the late 1950s, Pop Art in America was given its greatest impetus during the 1960s. The term “Pop Art” was officially introduced in December 1962; the Occasion was a “Symposium on Pop Art” organised by the Museum of Modern Art. By this time, American advertising had adopted many elements and inflections of modern art and functioned at a very sophisticated level. Consequently, American artists had to search deeper for dramatic styles that would distance art from the well-designed and clever commercial materials.

The influence of Pop Art on photography. Below is a sample of photographs that were influenced by Pop Art.

Below is my attempt at Pop Art using photography…

© Goran Sekulovski 2012

© Goran Sekulovski 2013

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